I am an immigrant living in the third space between cultures. A practitioner of ancestral and contemporary dances. A movement healer and cultural organizer. A border-crosser and bridge-builder. A dance-maker and change-seeker

I see my body as a crossroads between earth and sky, the personal and the ancestral, memory and futurity, and spirit and flesh. By inhabiting the crossroads where these forces meet, my body teaches me how to hold complexity as a liberatory practice—find freedom within structure, embrace tradition and experimentation, honor individual expression alongside collectivity—ultimately experiencing how none of these seeming binaries have to be at odds with each other. In bringing movement to them, their tension becomes malleable and generative—going from stagnant dichotomies to fluid interstices full of possibility

My work seeks to live in these interstices.

It locates ritual and social BIPOC practices of embodiment as fertile sites for choreographic inquiry, pedagogic encounters, and political possibilities. It is a movement of sacred play, at once rigorous and free. It is border-crossing and time-traveling technology. It generates valuable knowledge about how to be in the world. It belongs to movers of all kinds—recognizing that all bodies are dancing bodies. And at its core, dance is the embodied practice of change